• Newsletter

  Join the Vocal Works Newsletter and be the first to know about new performances and music from M Ryan Taylor.

• Categories

  • All
  • Brass Band
  • Brass Choir
  • Brass Trio
  • Brass, Organ & Audience
  • Solo Transcriptions

• M Ryan Taylor Discography:

  
  
  
  
  
  
  
  
  

Category: Brass Choir

Carnival Processional

Custom Search

The piece, as you can hear, is a fun, short romp. Score, parts & MP3 recording of the Chicago Brass Choir's live performance. more »

• Contents

  • The March of the Three Kings
    For traditional British-style brass band, with optional chorus. Score, parts and live performance MP3 available.
  • O Come Let Us Adore Him : Brass Choir, Organ and Congregation
    I created this arrangement for a local multi-congregational Christmas celebration.
  • Carnival Processional
    The piece, as you can hear, is a fun, short romp. Score, parts & MP3 recording of the Chicago Brass Choir's live performance.
  • Fanfare for the Eagle
    I'm posting this mostly 'just for fun.' My first brass piece, written in High School for my Boy Scout Eagle Court of Honor.
  • Opera Suite for Tuba & Piano
    This suite features five famous opera arias from the bass repertoire. It begins with a light hearted aria from Papageno the Birdcatcher, one of the principle characters in Mozart's famous Magic flute. Next is a rapturous song to the evening star (O du mein holder Abendstern) with it's lush Wagnerian melodic and harmonic structures. "Ah! Pescator" is light hearted, but only on the surface; Ponchielli weaves treachery into a joyful fisherman's song. Next comes the impassioned cries of Rigelleto as he attempts to rescue his Daughter from the masterwork by Verdi. As a finale, the suite ends with the rollicking song of the king of the jolly 'Pirates of Penzance." This suite will delight your listeners and makes for an excellent recital or showpiece.
  • Messiah Solos : Tuba or Trombone/Euphonium
    I have transcribed these solos with the original baroque tempo and phrasing marks; they are very minimal and leave the performers a wide berth for interpretation. Baroque style allows for certain amount of improvisation from the soloist and I suggest you experiment with appoggiaturas, trills, suspensions, etc. Several places have been marked as suggested cadenzas. The third selection in this edition uses a version from one of Handel’s performance scores. The fourth selection omits the minor b-section of the solo and replaces it with a closing cadenza instead of repeating the a-section.
• M Ryan Taylor on Facebook

• XML Feeds

  • RSS 2.0: Posts
  • Atom: Posts
  More on RSS