Brass works from M Ryan Taylor
  • Videos
  • Art Songs
  • Keyboard
  • Brass
  • Electronica
  • Opera
  • Strings
  • Choir
  • Sound Design
  • Contact
  • Log in
  • Newsletter

    Join the Vocal Works Newsletter and be the first to know about new performances and music from M Ryan Taylor.

  • Categories

    • All
    • Brass Band
    • Brass Choir
    • Brass Trio
    • Brass, Organ & Audience
    • Solo Transcriptions
  • M Ryan Taylor Discography:


    M Ryan Taylor: All Heaven and it was One Hour Old

    M Ryan Taylor: American Revolutions

    M Ryan Taylor: Thirteen for Halloween

The March of the Three Kings

Google
Custom Search

The March of the Three Kings

for British-style Brass Band

I wrote this piece, based on a traditional tune, for the Utah Premiere Brass and Timpanogos Chorale a couple of years back. Here is the recording (I’m singing the baritone solo) of the live concert performance in 2005 :

  • Live Performance : TheMarchoftheThreeKings.mp3

Here are the score and parts:

  • Score : MarchoftheThreeKingsScore-MRyanTaylor.pdf
  • Parts : MarchoftheThreeKingsParts-MRyanTaylor.pdf

The instrumentation for the ensemble follows the standard British Brass Band line-up with the addition of a vocal soloist and chorus. The vocal soloist and chorus add a wonderful dimension, but are completely optional. A break-down of the instrumentation for those interested:

  • Soprano Cornet
  • Solo Cornet
  • Repiano Cornet
  • 2nd Cornet
  • 3rd Cornet
  • Flugle
  • Solo Horn
  • 1st Horn
  • 2nd Horn
  • 1st Baritone
  • 2nd Baritone
  • 1st Trombone
  • 2nd Trombone
  • Bass Trombone
  • Euphonium
  • Eb Bass Tuba
  • BBb Bass Tuba
  • Timpani
  • Percussion
  • Vocal Soloist and Chorus (Optional)

For the optional vocal parts I created my own version of the lyrics, very loosely based on the original French carol, La Marches des Trois Mages:

  • The March of the Three Kings
    by M Ryan Taylor

    Dawn breaks forth, arising in the east.
    A mighty host of heroes marches hither.
    Dawn breaks forth, they come from out the east,
    their armor glinting with the rising sun.

    A page boy leads with his trumpet bold,
    he sounds a tone and my heart is filled with wonder.
    "What brings this fierce host to Bethlehem?"
    "We seek the Savior of the race of men!"

    "Three great kings have led us by that star,
    you see it brightly though the sun has risen!
    Three great kings have led us by that star,
    come join our ranks and see the holy child!"

    The host moves on bearing chests of gold.
    I see the kings with a body gaurd of paladins.
    My heart cries out, "You must go with them,
    and find the Savior of the race of men!"

    Street by street we pass each rich abode,
    and each new door holds hope and expectation.
    Street by street, and looking to the star,
    we come at last to where the light shines down.

    The Son  of God lays upon the hay.
    The Son of God laid within a lowly stable.
    Three kings bow low here in Bethlehem,
    before the Savior of the race of men!
1 2 3 4 5 6 >>
  • Contents

    • The March of the Three Kings
      For traditional British-style brass band, with optional chorus. Score, parts and live performance MP3 available.
    • O Come Let Us Adore Him : Brass Choir, Organ and Congregation
      I created this arrangement for a local multi-congregational Christmas celebration.
    • Carnival Processional
      The piece, as you can hear, is a fun, short romp. Score, parts & MP3 recording of the Chicago Brass Choir's live performance.
    • Fanfare for the Eagle
      I'm posting this mostly 'just for fun.' My first brass piece, written in High School for my Boy Scout Eagle Court of Honor.
    • Opera Suite for Tuba & Piano
      This suite features five famous opera arias from the bass repertoire. It begins with a light hearted aria from Papageno the Birdcatcher, one of the principle characters in Mozart's famous Magic flute. Next is a rapturous song to the evening star (O du mein holder Abendstern) with it's lush Wagnerian melodic and harmonic structures. "Ah! Pescator" is light hearted, but only on the surface; Ponchielli weaves treachery into a joyful fisherman's song. Next comes the impassioned cries of Rigelleto as he attempts to rescue his Daughter from the masterwork by Verdi. As a finale, the suite ends with the rollicking song of the king of the jolly 'Pirates of Penzance." This suite will delight your listeners and makes for an excellent recital or showpiece.
    • Messiah Solos : Tuba or Trombone/Euphonium
      I have transcribed these solos with the original baroque tempo and phrasing marks; they are very minimal and leave the performers a wide berth for interpretation. Baroque style allows for certain amount of improvisation from the soloist and I suggest you experiment with appoggiaturas, trills, suspensions, etc. Several places have been marked as suggested cadenzas. The third selection in this edition uses a version from one of Handel’s performance scores. The fourth selection omits the minor b-section of the solo and replaces it with a closing cadenza instead of repeating the a-section.
  • M Ryan Taylor on Facebook
  • XML Feeds

    • RSS 2.0: Posts
    • Atom: Posts
    What is RSS?
blogsoft

©2010 by M Ryan Taylor | Contact | evoCamp skin | Credits: Blog Design | blog tool | dedicated servers | authors